VIDEO MORNING PROGRAMME

How the little lad born in a tiny remote hamlet in Andhra Pradesh went on becoming the Beacon Light 'Bhagawan Sri Sathya Sai' of the world was depicted by the local Balvikas children in a presentation entitled 'Parthi Parijatalu' this evening here in Prasanthi Nilayam, on the auspicious occasion of GANESH CHATURTHI , on 19 SEP 2012

Wednesday, September 19th, 2012

Ganapathi is called Vinayaka because there is no master above Him. He is all powerful and independent. Without recognizing the esoteric significance of the Vinayaka Principle, people look only at the external form and offer worship in mundane terms.

What is the inner significance of worshipping the elephant-faced deity? The elephant is a symbol of might and magnitude. The elephant’s foot is larger than that of any other animal. The elephant can make its way through the densest jungle. In this way, it signifies the quality of a leader who shows the way for others.

The elephant is also known for its fidelity and gratitude. In any circumstance, it will not forget its master. Even in its last moments, if it hears the voice of its master, it will open its eyes and look for him. It will sacrifice its life for its master. These are the lessons man should learn from the elephant. Intelligence without gratitude is valueless. Every man should be grateful to those who have helped him. – Bhagawan Sri Sathya Sai Baba
 

Today is auspicious Vinayaka Chaturthi, symbolising the birth of elephant-headed God, Lord Ganesha, Son of Divine Parents, Lord Shiva and Mother Parvathi. Ganesh Chaturthi is festival that received its fullest dues over the years in the most inspiring physical presence of Beloved Bhagawan. Keeping those golden lively memories in the backdrop, Prasanthi woke up this morning, tuned to the Lord of remover of all obstacles, gearing up to celebrate the auspicious day.

(clips from Ganesh Chaturthi 2009 in the immediate Divine Presence)

On the auspicious morning, students from Sri Sathya Sai Institute of Higher Learning will offer a bouquet of devotional songs at 0820 hrs. after 20 minutes of Vedic Chants. In the evening Balvikas children from Puttaparthi will offer a Musical Dance Drama entitled “Parthi Parijathamulu”.

II Samasta Lokah Sukhino Bhavantu II

The presentation was based on the story of two youngsters, who were sceptical towards Bhagawan and His Divinity. As their doubting minds needed touch of evidence before accepting Bhagawan as the Avatar of the Age, the youth were taken to a ‘guided tour’ by experienced devotees narrating tales of glory of His Avatarhood and Divine Mission, as experienced by them. Some of the episodes shown were: the story of cholera epidermic being kept away by the Pandari Bhajans led by little Sathya, the episode showing grandfather Kondama Raju hearing ‘Omkara’ from little Sathya’s breath, Bhagawan curing Himself of the paralytic stroke, etc.

The presentation had beautiful interludes of song and dance sequences, heralding the glory of Sri Sathya Sai Avatar. This is the maiden cultural presentation by the Balvikas of Puttaparthi that had its inception several years ago. Hundred children from in and around the village participated in the presentation.

The presentation ended with the children along with elders taking a vow that they would dedicate themselves to the Mission of spreading Bhagawan’s message of Love and Service.

At the end of the presentation all participating children were presented with special gifts. Even as Bhajans continued children formed into disciplined rows posing for photograph session at the Sanctum Sanctorum.

Mangala Arathi was offered at 1815 hrs.

Tomorrow, students from Sri Sathya Sai Vidya Vihar, Moosapet, Hyderabad will be presenting a cultural presentation in the evening in Sai Kulwant Hall.

II Samasta Lokah Sukhino Bhavantu II

Celebrating holy Ganesh Chaturthi, students from the Institute offered a string of hymns propitiating Lord Ganesha this morning here in Prasanthi Nilayam. Singing special hymns invoking the Lord, Who is hailed as ‘Prathama Vandana’, the students regaled the audience with devotional music interlaced with instrumental and dance for forty-five minutes.

The songs were Ganashtakam beginning with Ekadantam Mahakayam, Mein Ganapathi..., Tatwamariya Tarama, a Carnatic piece, Tujhe Kripaa Taari Ya Jaaga, a Marathi Abhang, Aradhanam Abhivandanam, Apni Dil Kee Pukar Aaye Hain Tujhko Sunaane…The dance was to the tune of Mudaakadaara Modakam, the Ganesha Pancharatnam featuring the purport of the hymn. The instrumental piece was a fusion of Sitar, Violin, Tabla, Flute and Electronic Keyboard playing the bhajan Gowri Nandana Gajanana.

Bhagawan’s Divine Discourse delivered during one of the Vinayaka Chaturthi occasions followed. Calling Vinayaka as the Lord without an Over Lord, Bhagawan discoursed touching upon the inner significance of the festivity. “Our history is replete with sacred inner meanings. But the modern youth do not pay any attention to our history. They waste their time in reading novels and meaningless stories. These kathas (stories) will give only vyathas (sorrow). Divine story alone teaches you the ideal path” said Bhagawan urging the students to take the right path towards Divinity. Speaking on about Brahmacharya, Bhagawan stressed on the need to lead an ideal Brahmacharya life, practising constant contemplation of Brahma.

The Divine discourse came to an end with the bhajan “Hari Bhajana Binaa Sukha Shanthi Nahin…”. A string of Ganesha bhajans followed before Mangala Arathi offering at 0950 hrs.

Even as bhajans continued students from the Primary followed by senior students offered festive handmade greetings to Bhagawan at the Sanctum Sanctorum.

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Choreographed uniquely, offering a virtual ritual of Sri Sathya Sai Ashtotharam, the programme was interlaced with thematic dance sequences singing Bhagawan’s Divine glory. The presentation that began with a Ganesha invocation continued with the Ashtotharam that was offered in phases, after every interlude. As the holy chants of Ashtotharam resounded in the vast Sai Kulwant Hall, graceful children danced to a make-shift podium, arranged in front of the Altar, making the offering. Interlacing the Ashtotharam offering, children danced gracefully to the tunes of beautiful songs, regaling the audience for an hour.

Earlier,  before the commencement of the programme, children along with organisers offered obeisance at the Sanctum Sanctorum invoking Divine blessings. A brief introduction about the inception of the institution followed after which, Swapna, one of the students from the school spoke in brief reminiscing Bhagawan and His Love. Sai Ashtothara Likhita Japam done 1,17,000 by the devout children of the school was offered at Bhagawan’s Lotus Feet before the commencement of the programme.

At the end of the programme all the children were presented with special gifts. Even as bhajans continued children posed for photographs. Bhajans ended with Thursday Special “Rama Rama Rama Sita…” The session concluded with Mangala Arathi offering at 1830 hrs.

Tomorrow being the third day of the Ganesh Chaturthi festival, scores of Ganesha’s representing various Prasanthi institutions will be brought to the Mandir, in the evening at 1630 hrs., before ceremoniously taking out in procession for immersion.

II Samasta Lokah Sukhino Bhavantu II

Marked by Prasanthi’s special touch of grace and gaiety, scores of Ganeshas in varied hues and contour, flanked by batches of students and staff members, marched into the Sai Kulwant Hall shortly after 1630 hrs. beginning the proceedings for the auspicious evening.

The venue, Sai Kulwant Hall, bore a festive look bustling with great devotional fervour and enthusiasm anticipating the fleet of Ganeshas.

Marching in, exhibiting festive hustle and bustle, Ganeshas, numbering 21, in fanciful shapes and decor, were arrayed in a disciplined order covering the entire stretch of Bhagawan’s darshan pathway.

This is the occasion when Prasanthi showcases Ganeshas in varied theme, displaying colourful innovative ideas with the enthusiastic devoted bunch of students putting their best to impress upon The Over Lord of Prasanthi. This year too, like previous years, the procession had all the variety of craftsmanship, depicting spiritual and social themes of relevance.

Once the ‘Ganeshas’ were settled in their respective slots, higher secondary students lit up the already exuberant evening with a vibrant musical dance offering, dancing to the tune of a popular song, ‘Sri Ganesha Deva Sri Ganesha Deva…’

After Mangala Arathi offering to the Ganeshas each group went round the Sanctum Sanctorum. Subsequently each of the Ganesha was brought to the Sanctum Sanctorum, presenting to the Over Lord, before retreating for immersion. The whole exercise was over in an hour.

Bhajans continued for the next 30 minutes and Mangala Arathi was offered at 1800 hrs.

II Samasta Lokah Sukhino Bhavantu II

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